Eric Zaitseva

Download Now Server 1 Download Now Server 3 Download Now Server 2 Grrr is a headstrong modular display typeface with a large amount of alternative glyphs. It consists of eight weights ranging from Thin to Black. A variable font is also available. The typeface is designed on a modular grid and it proudly ignores the rules of optical compensations: the horizontal and vertical strokes have identical thickness, and round and triangular letters have no overshoots at all! All these peculiarities are making the typeface usable at sizes from 21pt and larger in print and approximately from 24px on non-retina screens. Grrr is especially good at extremely large sizes. The typeface includes three stylistic sets with even more bizarre letterforms. These sets activate a cyclic pseudorandom substitution of letters from a range of alternates — the letterforms keep

Download Now Server 1 Download Now Server 3 Download Now Server 2 The future is squarish. Georg Trump knew it in 1930 when he designed City. Hermann Zapf knew it in 1952 when he designed Melior. Aldo Novarese knew it in 1962 when he designed Eurostile. Center isn’t about to argue. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Its branches are angled in homage to OCR-A. Its terminals are gently softened. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. This redrawn and expanded version of the best-selling text/display family now boasts nine weights, ranging from the taut, elegant Thin to the massive Ultra, each with a matching italic. Rounding of terminals is subtler in this new release, and forms have been optimis

Download Now Server 1 Download Now Server 3 Download Now Server 2 Rae Low is a low contrast sans serif typeface with strong roots in German typography. Inspirit by 19th century store and street signs, Rae Low is a homage to a traditional craft which is deeply grounded in functionality. By combining low contrast with high contrast letterforms and deep ink traps which all got pushed to the maximum, we created a truly futuristic typeface. Rae Low works well as display typeface, but also can create interesting body copy. Download Rae Low Font Family From BumbumType

Download Now Server 1 Download Now Server 3 Download Now Server 2 DBXL Nightfever was originally designed by Donald Beekman in 2001 for the disco-techno-house record label of the same name, an imprint of United Recordings. Geometric and gridded, with a solid sci-fi techno feel, Nightfever still contains a lot of soul. Three additional wider weights were added for more design flexibility, as well as italics for all widths. After the record label was terminated the Nightfever fonts were used for many other DBXL design projects. It was put online for free download first in 2008, this year (2019) the design got more refined with additional accurate kerning and spacing. All fresh and new, ready for a new space age! Download DBXLNightfever Font Family From VetteLetters

Download Now Server 1 Download Now Server 3 Download Now Server 2 Red Thinker is a sans serif typeface that includes Small Caps, is of square proportion and fuses soft curves in the outer vertices with straight lines inside the characters, a semi-stencil design that gives it a technological aspect and future fiction. Red Thinker is the heir by right of the geometrical fonts of the early twentieth century inspired by the Bauhaus school and is specially designed for use in any size for both screen and printing. Download Red Thinker Font Family From deFharo

Download Now Server 1 Download Now Server 3 Download Now Server 2 Attention Space Rangers -- the Race into Space is on again! Science Fiction long ago became Science Fact and scientists are looking Beyond Earth, Beyond the Moon to Mars, Infinity -- and BEYOND! Comicraft’s Ace Rocket Scientist and Secret Weapon, John “Buzz” Roshell has spent years in our Underground Laboratory developing Accelerated Font Technology for the Space Age in which we live. SPACE RACE has curved contours and a sleek fuselage that will ensure our Rangers will be the FIRST WOMEN (and MEN) on planets in this Solar System and those of other stars! Now available for less than the cost of powdered astronaut ice cream. Download Space Race Font Family From Comicraft

Download Now Server 1 Download Now Server 3 Download Now Server 2 Magnetica font family combines design simplicity of modern sans serifs with a futuristic feel based on semi-rounded concept. Its fluent lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font, especially its Italic variation, will find its use also in larger text blocks where simplicity, clean lines and well applied kerning is a must. Create something spectacular with Magnetica. Download Magnetica Font Family From Galaxa

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Chaos is a caps only modern sans serif titling font with a geometric and futuristic style touch. This typeface have been designed to get a modern and futuristic visual language. As Chaos font, this typeface was inspired by the futuristic user interface design. Download CHAOS Font Family From Zenmurai

Download Now Server 1 Download Now Server 3 Download Now Server 2 Multiverse is a display typeface designed to combine retro and futuristic styles into one package. Its geometric characters intertwine in unique ways, that can support a high-tech context, but its curves and boldness echo the sci-fi of the 70’s and 80’s. Download Multiverse Font Family From Tamas Greguricz

Download Now Server 1 Download Now Server 3 Download Now Server 2 DM PopCap was created as a typeface to accompany a 2013 LEGO project, which itself was inspired by the music video for Scream by Michael and Janet Jackson. I had to create the typeface in order to make my own title cards. Although the resulting font looks similar to the text that appears in the music video, I also set myself the challenge of creating the remaining characters of the alphabet, as well as others that some would find useful. As suggested, the typeface would be idea in a futuristic or technological setting, particularly concerning space travel. For the LEGO project, I had paired this typeface with Myriad Pro. As with my othe