Skip to main content

Posts

Showing posts with the label text

Download Mortise Font Family From Signal

Download Now Server 1 Download Now Server 3 Download Now Server 2 To mortise is “to join or fasten securely.” Created by an aspiring furniture-maker and an ageing typographer, Mortise is a solidly constructed new slab serif, and marks Signal’s first collaboration with outside designers. A generous x-height, open counters, wide proportions, and monoline strokes make it readable and practical, while the long, slightly curved vertical serifs give it a raffish, mustache-twirling air. The X-Light is neat and refined and holds the page nicely; the middle weights are sturdy and direct; and the broad, blocky serifs on the X-Bold are exuberant and perhaps a bit rowdy. Available in six carefully crafted weights, Mortise is both a fresh new face and a versatile addition to the venerable slab serif genre. And, of course, it goes well with its sans sibling, (li

Download Century PS Pro Font Family From SoftMaker

Download Now Server 1 Download Now Server 3 Download Now Server 2 Century PS Pro is a serif typeface published by SoftMaker. Download Century PS Pro Font Family From SoftMaker

Download Century Schoolbook Pro Font Family From SoftMaker

Download Now Server 1 Download Now Server 3 Download Now Server 2 Century Schoolbook Pro is a serif typeface published by SoftMaker. Download Century Schoolbook Pro Font Family From SoftMaker

Download Vertical Font Family From Alias

Download Now Server 1 Download Now Server 3 Download Now Server 2 Alias Vertical is a sans serif typeface with a vertical cut-off point for letter endings. The vertical cut-offs bend round characters (b, c, o, etc) into a squarish, high-shouldered shape, suggesting Roger Excoffon’s Antique Olive. In mid-weights, the typeface mixes Antique Olive with typefaces such as Gill or Johnston, for example the shape of the t, the l borrowing Johnston’s flick. Vertical has the same minimal difference in weight between verticals and horizontals as Gill and Johnston, and the same sharp connection point where curves meet straight lines. Like Antique Olive, Vertical has a narrow connection point here, adding contrast and definition. The overall effect feels austere at lighter weights and strident and graphic at bolder weights, and sharp and incised throughout.

Download Skriva Font Family From Pixilate

Download Now Server 1 Download Now Server 3 Download Now Server 2 Skriva is the handwriting we'd all like to have: neat and legible, still natural looking. It as a super complete character set with support for over 200 latin languages. It includes advanced OpenType features, such as random alternate characters, to make it look even more natural. Skriva has 4 variants: light, regular, bold & inky. Use Skriva wherever you need a personal touch on your texts. Download Skriva Font Family From Pixilate

Download Brilk Font Family From Typesketchbook

Download Now Server 1 Download Now Server 3 Download Now Server 2 Brilk is a condensed Sans-serif typeface made up of 40 fonts across 10 weights with normal and Sans-serif options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Brilk font family supports multiple languages and is available as both webfont and desktop font. Download Brilk Font Family From Typesketchbook

Download DINosaur™ Font Family From Type-Ø-Tones

Download Now Server 1 Download Now Server 3 Download Now Server 2 DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction. Download DINosaur™ Font Family From Type-Ø-Tones

Download Bremer Presse Font Family From Schraube

Download Now Server 1 Download Now Server 3 Download Now Server 2 As most successful German private press, «Bremer Presse» has strongly influenced German book art. It was founded 1911 in Bremen to print and produce books in perfection. The role model of the press’ typeface was the english Doves Press. Willy Wiegand drew three versions of the «Bremer Presse» antiqua font, starting with the regular weight in 16 pt and adding later the regular weights in 11 and 12 pt. The revival of this beautiful font is based on the 12 pt weight. During the design process, the focus was laid on finding the elegance and strength of original prints. As it was designed to print books, the typeface is optimally used for texts. And with the revival’s new weights «medium» and «bold» and OpenType features like ligatures or old style figures, you can des